
Bahian percussion
Surdo, repique, timbau and caixa — the foundation of the samba-reggae Salvador's blocos carried to the world.

In-person classes in Salvador — a group small enough to form one circle, and a plan built around you. No deposit to talk

Adson started out in 1996 with Timbalada and has since shared stages with Carlinhos Brown, Marisa Monte and Olodum, touring Europe and Asia with Brazilian dance companies. More than a thousand students have passed through his hands. In class he teaches the suingue — the feel underneath the pattern — and corrects you on the spot, with the patience of someone who has watched every beginner rush the same beat.
OPANIJÉ /o-pa-nee-jeh/ — a traditional Afro-Brazilian rhythm. The school carries the rhythm's name because that is what a class is: the tradition passing from hand to hand.

Surdo, repique, timbau and caixa — the foundation of the samba-reggae Salvador's blocos carried to the world.

The circle of the Recôncavo, UNESCO-listed heritage: pandeiro, viola, handclaps and the call-and-response of the chula.
The atabaques, the orixás, and what this Afro-Brazilian faith gave the music of Bahia — a guided study, respectful and never staged.
Read the guideThe price comes out of the conversation: group size, frequency, schedule.
No deposit to talk. We plan first — you decide after.
Solo or in a pair, on the time you actually have.
Tell us where you're headed — we'll build the plan around it. No deposit to talk
Send a message with your level and how much time you've got — we'll come back with a concrete class plan.
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